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在卡塔尔亮相的拉伊卜，背后有一个“东莞老家”，来自广东车车文化发展有限公司的陈雷刚带领的设计团队
2022年卡塔尔世界杯吉祥物拉伊卜
La'eeb（拉伊卜），2022年卡塔尔世界杯吉祥物，代表着技艺高超的球员。其设计灵感来自于卡塔尔人的传统服饰，它鼓励人们相信自己，也寓意着它将带领所有人享受足球的快乐。
La’eeb是一个阿拉伯语单词，la’eeb是青春永驻的，来自“吉祥物宇宙”。
是需要晾晒的，但是不需要那么长时间，一般三四天左右就可以了沙漠玫瑰（拉丁学名：Adenium obesum.），其实它并不是生长在沙漠地区的玫瑰，与玫瑰也没什么近缘关系或相像之处。[1]又名：天宝花，夹竹桃科，这是一种夹竹桃科的植物。天宝花属多肉植物，也称多浆植物。多肉灌木或小乔木，高达4.5m；树干肿胀。单叶互生，集生枝端，倒卵形至椭圆形，长达15cm，全缘，先端钝而具短尖，肉质，近无柄。喜高温干燥和阳光充足的环境，耐酷暑，不耐寒，因原产地接近沙漠且红如玫瑰而得名沙漠玫瑰；原产地为非洲的肯尼亚、坦桑尼亚，花盛开时美丽，常栽培观赏。
中文学名
沙漠玫瑰
拉丁学名
Adenium obesum
别称
天宝花
二名法
Adenium obesum
界
植物界
快速
导航
生长习性分布情况栽培技术主要价值植物文化
形态特征
多肉灌木或小乔木，高达4.5m；树干肿胀。单叶互生，集生枝端，倒卵形至椭圆形，长达15cm，全缘，先端钝而具短尖，肉质，近无柄。花冠漏斗状，外面有短柔毛，5裂，径约5cm，外缘红色至粉红色，中部色浅，裂片边缘波状；顶生伞房花序。
共17张
沙漠玫瑰图片欣赏
沙漠玫瑰花形似小喇叭，玫瑰红色，非常艳丽。伞形花序三五成丛，灿烂似锦，四季开花不断。因原产地接近沙漠且红如玫瑰而得名沙漠玫瑰。沙漠玫瑰单叶互生，倒卵形，顶端急尖，长8厘米～10厘米，宽2厘米～4厘米，革质，有光泽，腹面深绿色，背面灰绿色，全缘。总状花序，顶生，着花10多朵，喇叭状，长6厘米～8厘米；花冠5裂，有玫红、粉红、白色及复色等。5月～12月是沙漠玫瑰的花期，花有红、玫红、粉红、白等色。南方温室栽培较易结实。种子有白色柔毛，可助其飞行散布
这是飘香藤又称双腺藤、双喜藤、文腾等，是属于夹竹桃科双腺藤属的被子植物。它的原产地在美洲热带，叶子对生，为长卵圆形，叶子渐尖，叶色为浓绿色，花为红色、桃红色、粉红色等。它的花期是4月份到10月份，花语是爱情、美德。
沙漠玫瑰属珍宝石,纪念石
沙漠玫瑰是方解石,石英,硬透石膏的共生体.是大漠的杰作,是一种纯天然的奇石,具有极高的收藏价值和观赏价值.
沙漠玫瑰是生长沙漠低洼处石膏的结晶体，它的外形酷似玫瑰又生长在沙漠中故称之为沙漠玫瑰。按其生长形态可分单体、联体、枝状、丛状。大小，单体直径一般在1.5-10cm，联体在10-50cm或更大。它是天然石头中为数不多的象花矿物，具有很高的观赏价值。
由于内蒙沙漠中独特的气候条件才生长出这独特的沙漠之花——沙漠玫瑰，它外形酷似怒放的玫瑰花束。
沙漠玫瑰因开采困难,产量稀少,形状奇特,所以,在天然奇石市场上占有特殊地为,具有极其珍贵的研究和收藏价值.它有一瓣瓣玫瑰石瓣,逼真地开放着.是细沙在几千万年甚至几万万年的风雨雕塑中风化而形成的.其中还有零星的细沙镶嵌在花瓣的中间.它没有玫瑰花的叶和刺,只有花朵默默地开放在戈壁滩中,但它永远不会枯萎,也不会凋零.
由建筑师让·努维尔设计的卡塔尔国家博物馆于2019年3月28日开幕，这一新的建筑作品将给人们带来难以比拟的沉浸式体验。
His Highness the Amir, Sheikh Tamim bin Hamad Al Thani, will officially inaugurate the immersive new museum, housed in an architectural masterpiece by Jean Nouvel, on the evening of 27 March .Doha, Qatar, 27 March 2019 – Under the patronage of His Highness Sheikh Tamim bin Hamad bin Khalifa Al Thani, Qatar Museums will open the National Museum of Qatar (NMoQ) to the public on 28 March 2019, welcoming the world to an unparalleled immersive experience housed in a new architectural masterpiece by Jean Nouvel.
博物馆1.5千米的展廊穿过一系列独特环绕的环境，每一部分都通过建筑空间、音乐、诗歌、考古文物、画作等的综合呈现来讲述卡塔尔的历史。11个永久展廊，带领游客领略卡塔尔如何从百万年前的半岛，演变为充满多元性的今天。卡塔尔国家博物馆将作为探索、创造和社区交流的中心，为当地人民提供各种各样的教育机会，并将把国家的文化推向世界舞台。
The Museum’s winding, 1.5-kilometer gallery path is a journey through a series of unique, encompassing environments, each of which tells its part of the story of Qatar through a special combination of architectural space, music, poetry, oral histories, evocative aromas, archaeological and heritage objects, commissioned artworks, monumentally-scaled art films, and more. Together, the eleven permanent galleries take visitors from the formation of the Qatar peninsula millions of years ago to the nation’s exciting and diverse present. Giving voice to the nation’s rich heritage and culture and expressing the aspirations of its people, NMoQ will serve as a hub for discovery, creativity, and community engagement, providing diverse educational opportunities for Qatar and advancing the nation’s cultural vision on the global stage.
卡塔尔国家博物馆占地52,000平方米，以修缮的历史宫殿为中心。此建筑曾为皇室和政府的所在地，之后改造成原国家博物馆，现在，崭新的国家博物馆在全面的展览体验上已经达到顶峰。
The spectacular 52,000-square-meter (560,000-square-foot) NMoQ embraces as its centerpiece the restored historic Palace of Sheikh Abdullah bin Jassim Al Thani (1880-1957), son of the founder of modern Qatar. A building that in former times was both the home of the Royal Family and the seat of government, and was subsequently the site of the original National Museum, the historic Palace is now the culminating exhibit in the sweeping succession of gallery experiences.
卡塔尔国家博物馆的主席说道：“卡塔尔国家博物馆吸引了来自全球的杰出人物，除了展览之外，该馆还将成为一个有活力的场所。文化是把人类联系到一起的纽带，而该馆则为人们提供了一个极佳的对话平台。”
Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, Chairperson of Qatar Museums, said, “The opening of the National Museum of Qatar is a source of immense pride for our country, and an exceptional moment for engaging with people from around the world. The extraordinary schedule of inaugural activities draws together outstanding artists, architects, thinkers, and cultural leaders from Qatar and the international community, vividly demonstrating how the National Museum of Qatar will always be a dynamic resource in its programs as well as its exhibitions. Culture connects people, and with this new museum we believe we have created an exceptional platform for dialogue.”
卡塔尔博物馆的设计历经数十年，旨在为人们带来生动的体验，它是一个有灵魂的博物馆。为了和公众在感官、情绪、智识上充分互动，展馆充满了动感、声音、颜色等媒介，并汇聚了极具创意和真实性的内容，人们每一次参观都将有新的发现。
Sheikha Amna bint Abdulaziz bin Jassim Al Thani, Director of the National Museum of Qatar, said, “After more than a decade of planning, we are deeply gratified to welcome the people of Qatar and our international visitors to this exciting, multi-layered, experiential museum. From the start, Qatar Museums and the National Museum team knew that we wanted to create a living experience for our people—a museum with a heart. We have created galleries full of movement, sound, and color in order to engage our public fully, with their senses and emotions as well as their intellects, and have assembled creative and authentic content that is so rich that people will discover something new with each visit. It is now time for the discoveries to begin.”
卡塔尔国家博物馆 摄影：Iwan Baan
让·努维尔的设计灵感来自于沙漠玫瑰，沙漠玫瑰在海湾地区矿物质在疏松的土壤之下结晶。让·努维尔将这座建筑描述为“第一座从自然之中生发出来的建筑物”，沙漠玫瑰充当了博物馆的母题，不同跨度和弯度的大型交错圆盘使结构极其复杂，垂直部分作为支撑，水平部分则搭建在其它圆盘上，如同项链般把历史宫殿环绕起来。
In designing the building that makes these experiences possible, Jean Nouvel drew inspiration from the desert rose, a flower-like formation that occurs naturally in the Gulf region when minerals crystallize in the crumbly soil just below the surface of a shallow salt basin. Described by Nouvel as “the first architectural structure that nature itself creates,” the desert rose became the model for the Museum’s complex structure of large interlocking disks of different diameters and curvatures—some vertical and constituting supports, others horizontal and resting on other disks—which surround the historic Palace like a necklace.
卡塔尔国家博物馆 摄影：Iwan Baan
中庭位于环形展廊之中，作为户外文化活动的聚集空间。外观上，沙子颜色的博物馆与沙漠环境融为一体，建筑物仿佛从地面生长出来般与其合二为一。建筑内部，交错的圆盘结构营造出丰富的多样性和不规则的体量。
A central court, the Baraha, sits within the ring of galleries and serves as a gathering space for outdoor cultural events. On the outside, the Museum’s sand-colored concrete harmonizes with the desert environment, so that the building appears to grow out of the ground and be one with it. Inside, the structure of interlocking disks continues, creating an extraordinary variety of irregularly shaped volumes.
让·努维尔表示：“把沙漠玫瑰作为设计原型是一个非常超前的想法，甚至带有一些乌托邦的色彩。为了构件一座沙漠玫瑰形状的建筑：夸张的曲面、交错和悬臂结构是不可缺少的，而这带来了极大的技术挑战。建筑物本身如卡塔尔一样走在科技的风口浪尖。”
Jean Nouvel said, “To imagine a desert rose as a basis for design was a very advanced idea, even a utopian one. To construct a building with great curved disks, intersections, and cantilevered angles—the kind of shapes made by a desert rose—we had to meet enormous technical challenges. This building is at the cutting edge of technology, like Qatar itself. As a result, it is a total object: an experience that is at once architectural, spatial, and sensory, with spaces inside that exist nowhere else.”
卡塔尔国家博物馆 摄影：Iwan Baan
悬臂式圆盘提供了自然遮阴，使其成为第一个获得LEED金级认证和全球可持续发展评估体系四星级可持续发展评级的博物馆。2019年3月27日晚，卡塔尔国家博物馆正式揭幕。
The cantilevered disks, which provide natural shade, are among the elements of the design that have enabled NMoQ to become the first museum to receive both LEED Gold certification and a four-star sustainability rating from the Global
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